egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

after more than 3 years of a break, were finally back to bring in some fresh and housy tunes! markus schatz, a berlin-based artist already known by releases on cargo edition, salon records and matthias tanzmanns label moon harbour, has gone into work with anneke laurent

myles serges saure music group expands its self to create smg limited. smg limited showcases only special and one of a kind tracks in a vinyl only format. the 1st release is from two of our good friends plural (aka james johnson) and general vex who split the release to create pure madness!

ltd backstock . ivano tetelepta returns to duty on fof after his well received * true colours* lp with a veritable potpourri of tracks in collaboration with various cohorts. first up ivanos collaboration with steve siwalette twists and turns with a steppas beat whilst melodic licks build the track up to its anthemic break. * give me something so i can dance* w/alex jansen roughs things up with a low-slung dirty groove whist ben buiendijk injects an acidic flavour into his collaboration before ivano & bas amro delve deeper with the sweetly melancholic tones of * manolia*.

played by: max essa, i love disco!, sleazy beats recordings, coyote is it balearic?
review: japans 9dw release their first track for is it balearic..? right on is a super chilled loopy slo mo disco gem. touches of soft acid and boogie bassline make this a certain for the more discerning dancefloor. the mushrooms project remix creates an ever growing tribal dubby trip with what sounds like a jews harp thrown in for good measure. mesmerising. the b side features a track that has been an iib favourite for a couple of years since it was heard live in loop tokyo. this slowave almost out of sync techy chugger is not like anything else. evolving with analogue synths and stabs to become a heads downs stomper. international man of mystery man power adds man power to the track and creates a slightly darker journey into synth land

luca lozano is an illustrious musical figure capable of shining light into the night and casting shadows on bright spaces

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

local talk is proud to welcome back tony blitz from c.r.s.t. - remember monster munch ep back in january? t stands for tony blitz, the one and very same we got on this release.
on the a-side we are treated to two slammin tracks, vodka & valium & bring it back are both the perfect mix between uk garage & house. studio wizard crackazat, last heard on our sub-label oneoffs, re-built the track into a piano driven house track infused with lots of melodies.

the house reverends are a trinity of musicians in their own right combining talents through a love of vintage electronics, analogue tape, and downtuned rnb. they glide through londons club scene bringing a blend of fluid funk driven by their robotic drum machine. this ep is a three-stage journey into the hearts and souls of our shadowy heroes. it is a story of love. drivetime the first tune is a slow motion seduction. a musical massage. it is a high-grade slow dance that works from dinner til dawn. girl, i know one for the body poppers. a tense number expressing the addictive pain of lust. vocoder voices straining with desire as the fever grows. curious lady a dream-like climax. gaze across the galaxy in awe and surrender to the state of psychedelic ecstasy this song so easily conjures.

hardly a stranger to the scene, ash moses first made a name for himself in dj booths across his hometown of sydney. it wasnt long before the bonafide musician crossed the dj booth threshold into the realm of production under the tunnel signs moniker and, eventually, as one-half of the death strobe label, where he released his debut sun ep

three tracks that nicely bend the rules of deep house and push bass lines into the abyss.

after the summer-smash-hit *gravity*, which is still on heavy rotation by dj-icons like maya jane coles or erol alkan, this is the second single taken from remutes brandnew album *theme tunes for 10 games never made*, called *something monstrous*
nomen est omen --- a screamin catchy vocoder-electro-banger for bodybuilders, disco dancers and, well, ... uhm, ... little monsters. following the tradition of daft punk, remute remixes himself here for the first time in his career and transforms the tune into an oldschool sawtooth-rave-monster beaming you back a couple of years and gives you the feeling you still dance in the mud of the tresor-loveparade-park ...

mysticism and howlings from the past swirls like winter torn winds around the pitch black atmosphere of ulwhednars lp on northern electronics. the conjurers are abdulla rashim and varg, where ulwhednar combines their musical styles into a collaborative effort, and the results are simply breath taking.

little black book is a new concept series from moda black, part album, part mix compilation, part remix package, part crate digging expedition, the series will play host to some of the most interesting, exciting and innovative electronic music artists and will invite listeners into a more personal place than ever before, as the conducting artist creates a body of work that reflects on their past success whilst venturing into their future aspirations. who better to launch the series than moda black s dynamic talent hot since 82, with this two track 12 sampler laying down an exciting primer for what to expect from a unique new series

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

on the third release abstract animal returns to heavy peaktime techno. on the a side you can bear witness monomoods ten minute analog threesome with his machines. on the b-side the fachwerk mastermind mike dehnert transforms the acid - vault, taken from the shtum001, into a dark and hypnotic techno cellar. rumbling rhythms and sharp pads keep your mind awake, when monomoods *the siren* on b1 howls through your ears.

hanne & lore are finally home again with a groovy pounding ep. the needle touches the a-side and immediately releases the first euphoric and crackling sounds of supergirl. a true tech house firework, which ignites itself without having hanne & lore lose themselves in too many bells and whistles. the supergirl leaves the stage and makes room for a bass line that is looking for its partner. man oh man, you say to yourself, while tapping to the music. completely lost in thought, you get thrown back into the electronic life by cascandys synth-shots packed amazing rework. monaberry sees its 19th offspring come to life and it is just as strong as her brothers and sisters

as a long time label ally, it seems ridiculous that matthew styles hasnt previously had a release out on classic. previously releasing on like minded imprints such as running back, ostgut ton, bpitch and turning mix albums for crosstown rebels. classic are proud to initiate matthew back into the family with this new three track ep.

somehow no 19 are about to do it again � the label run by jonny white is about to unleash a truly monstrous new ep that will not only soundtrack dancefloors for months to come, but fully announces the arrival of a talent who has been bubbling under for a while now in the form of uk producer eric volta. having been road tested in almost every art department set since january, no 19 are now ready to unleash drop their most powerful secret weapon into the wider world, and its sure to be one of the biggest of the year.

gravious (real name alastair jackson) is a dubstep and electronic music producer based in glasgow. his early releases came via the hotflush label, and its scuba sub-label. more recent releases have come through highpoint lowlife, davey jones, saigon and broken bubble. now gravious offers halocyan his most ambitious work to date, the *rolling thunder ep*. the eps title track begins with glassy, plinking synths that segway into a rollicking, stuttering beat. pitched up vocals lend a 90s throwback vibe to this fun, uplifting number. hotly tipped new york producer octo octa (100% silk) cools down the original with loads of house flavor and his own pristine melodies. on the b-side, *release*, is a towering, glacial epic pushed along by a lurching, pulsating bassline and sensual, shifting vocals. closing out the record is *sulaco squares*, a taut, careful arrangement packed to the brim with colorful melodies and arpeggios.

space ranger are back on lovemonk. after a highly praised debut album, what about the magnetic fields?, the stuttgart gang delivers a new single, push button bang. they have joined forces with la based good night keaton on vocals to deliver a breezy, everlasting-summer anthem. sun-soaked grooves and roads leading to dance parties on the beach flow into the atmosphere when this is playing. aaron shanahan is the man behind good night keaton and he happens to be miami horrors drummer.
two grandiose remixes accompany the original. the legendary jori hulkkonen applies his wisdom to deliver one of his signature, class aa remixes, while up and coming spanish producer kresy, fresh from a wicked release on hivern, delivers a remix that will leave a certain smile on your face for a while. rounding off the single, space ranger step on it and go straight for the dance floor with intenzo, an immense italo-influenced house track.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out�yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

highly recommended! enlightened wax is proud to harbor on the side a of its fourth chapter all the dirtiness of the legendary dj octopus (muscle records) has been. >the black face< is a funky, abrasive, filthy track and >heavy breathing< is nasty twisted house anthem. marieu, the boss of the label showcases on the b side two sci-fiinspired cuts. >talk to me< is a jacking piece of quasar techno,while >about you< is a smoother delightful excursion into broken beatsterritories. vinyl only!

support from ben ufo, brackles, deadboy, dj haus, logos, blackdown, jon k, murlo, compa and many more
theres something in the water in instrumental grime right now, with a new wave of producers twisting the genres trademarks into amazing new shapes. at the forefront of all this is slackk, whose radio slots on nts and rinse fm and monthly soundcloud mixes have become the place to keep up on new grime. slackks always been on this wave, of course...

seuil is back on eklo with new sound experimentation. after using only the mpc for his last record on the label, he has decided to expand to other devices to express his feelings about modern house music. getting into modular synthesis and using two famous modern machine drums that you will perhaps recognize... but still no computer sequences in the circuit, in an attempt to make advanced and modern house music just with hardware.

welcome to enrique casals first solo ep on aula magna. through four bass-heavy cuts we are submerged into his spaced out dub-injected experimental techno world. each track unfolds itself through carefully designed beats and sounds programmed into four concrete ideas. dance-floor burner elenin is an energetic highlight from qiks latest live sets, and it kicks off a trek that concludes with the noise and glitch madness of arenos. in the middle, dekonst dives into the darker depths of the artists dub visions and cyclo combines stormy dub chords with a healthy dose of funkier breakbeats. more and more hidden layers of sound are discovered through each new listen. an unmissable experience.

darkside is the collaborative duo of guitarist/composer dave harrington and electronic producer nicolas jaar. darkside summon a hybrid of electronic music, psychedelic rock, and dancefloor techno with the sort of artistic depth and breadth for which the term progressive was coined. darksides first fulllength album-released on nicos own other people label in conjunction with matador records-is called psychic. darksides psychic is a watershed moment for the duo, a quantum leap forward from their 3-song debut, 2011s darkside ep. at any given moment, psychic encompasses the ritualistic structures and methodologies of krautrock, the cosmic exploration of classic space-rock, and the immersive, body-moving transcendence of 21st century house and techno-but, working with the finishingeach- others�-sentences fluidity of kindred spirits, dave and nico synthesize it all into a living, breathing whole.

a very unique style... whim-ee, aka sara garcia is a french dj/producer. originally from recife, brazil she relocated to paris as a child where she began her journey into music via classical piano school for nine years. whim-ee later began experimenting with electronic music, injecting her own unique fusion of house, techno, jazz, funk, and soul.

sample / edit / mash up type house tracks. well known east coast producer taking classics into the future. handstamped whitelabel release.

for the collectors this massive album from 2008 is split into 3 different parts.

for the collectors this massive album from 2008 is split into 3 different parts.

for the collectors this massive album from 2008 is split into 3 different parts.

makoto returns to apollo with the primitive ep. as he builds his fast-paced style into a leaner, more aggressive manifestation of the soulful makoto sound, it quickly becomes clear that no one genre or signifier can fully describe this new collection of five tracks, from the rampant tribal ideology of *primitive* through the freestyle explorations of *ritual*.

femen is the second ep from hound scales on fifth wall, the brooklyn imprint he runs with divvorce. a dedication to the powerful women that have sculpted his life, the release sees the artist setting out to create the story of their impact on him by distilling these and other major influences into a techno format. the result is two originals blending amen-style jungle rhythms with collapsed industrial squeals, each with its own sense of beauty clawing upwards towards the surface.on the remix front, japanese producer and 10 label head honcho yuji kondo delivers an incredibly complex, layered interpretation of *a clique of tough women*, while mira and opal tapes affiliate bleaching agent pits the elegiac chords of the original *throated* against a repeated, mangled vocal motif, imbuing the remix with nostalgia while remaining an effective dancefloor instrument.
support includes marcel dettmann, norman nodge, sunil sharpe,tommy four seven, perc, and, forward strategy group, sigha, darko esser, mosca, shadow dancer, and sinden.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

long time coming and definitely one of the triggers to start this label: listening to niagara and wanting to capture them on disc. their hands-on hardware live sets were keeping people on their toes. raw house with an improvised and fresh vibe outside the exclusive domain of the dancefloor. this connects with their more experimental past as one might add and translates perfectly into this intuitive approach to dance music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

at the start of the 70s, france had no petrol, but it had ideas and artists that managed to tip them into the 21st century 30 years in advance. cosmic machine compiles 20 rare tracks put together with passion and erudition by uncle o (who previously did the shaolin soul compilations) and throws together a collection of stars, a few free-spirits, and also shooting stars.
the transparent double vinyl comes in gatefold sleeve with a cd-copy of the full album.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq�s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

french producer kool vibes returns with a third offering on his own self titled label, continuing to mine that sound classically rooted in the early 90s east coast swing of new york and new jersey. vibes abound on > u got me< with the titular vocal hook leading a orchestra of bouncing percussive rhythms, spritely neon dipped keys and an infectious bassline thump, whilst > house music< shows kool vibe dipping into the sounds of vintage murk productions with equal aplomb

rombs fifth release takes a turn into deeper territories of house and techno. 3 solid techno tracks ranging from deeper trippy techno to a bit more jack and tribalish! patrick richard is pushing the right buttons! dungeon acid deliver an uncompromising acid rmx of fogdance. once again romb delivers a solid 12 combining classic sounds with new ideas dont sleep!! comes as small edition which is not getting a repress!.

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

ovatow drops 3 extremely deep journeys into the fog of endless re-verb and delay applications.flame and a thought are 2 electro-techno tracks that are both build on randomly step-sequenced square bass lines, raiser sharp snares and dubbed out melodies drowned in layers of breathing dusty tape delays. visitation dub iii is a different version of an ovatow track, earlier released as part of the viewpoints chapter one compilation, but this time stripped down to the core bass line, reminiscing bcs presence. the release is dedicated to the loss of south rotterdam based dj juvenile jay who played an important roll in the early dj career of frustrated funks head honcho klen, the man behind the ovatow moniker. very much recommended!

nestled between the house & techno divide, this duo makes tracks purpose built for inner city warehouse parties with crusty open hats, thick verbs, & dissident synth stabs. carter bros transform into a versatile, bag staple.

10 inch vinyl with a screen printed sleeve!the enigmatic u returns to manmakemusic for another limited run 10inch of ethereal electronic excursions into the hinterlands of house. early support from: erol alkan, george fitzgerald

the wish i could fly ep welcomes boris horel back into the la vie en rose fold, following up the sun drenched supreme le kiff

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.